Chilean poet Nicanor Parra’s home on the outskirts of Santiago is a simultaneously personal and cultural landmark.

Lia Jelín could be called an “all purpose” director. Jelín, one of the creators of the Toc-Toc phenomenon, is now in charge of Desesperados, the work by Brazilian actor and writer Fernando Ceylao, at Teatro Buenos Aires.

Much of rapper Ali aka Mind’s success can be traced to his simple lyrics that promote a sense of national identity.

Members of Mexico’s artistic community, led by the Academia Mexicana de Artes y Ciencias Cinematográficas (AMACC), the Asociación Mexicana de Productores Independientes and the artistic collective El Grito más Fuerte, have expressed their opposition to the handling of cultural content as a commodity under the North American Free Trade Agreement (NAFTA).

Dominican film director José María Cabral and his film, Carpinteros, have been selected to represent the Dominican Republic (DR) in the next round of Oscars in Hollywood, as well as at the Goya Awards in Spain.

Teotihuacán: “that great city that, despite increasing research in the last few years, remains a mystery.”

The Argentine comedy-musical group, Les Luthiers, which celebrates its 50th anniversary this year, has cultivated a theatrical and musical niche that exemplifies “a curious example of pre-internet viralization” through its infectious parodies that have maintained popularity through the generations.

Gonzalo Justiniano, the outstanding Chilean national director speaks about the premiere of his most recent movie Cabros de mierda.

Publishers who publish poems have lost presence on front web pages and independent magazines. However, according to some poets, being outside the big markets, safeguards the genre.

How do you return to your hometown that does not welcome you back with open arms?