On October 25 and 26, 2018, Cuban singer Silvio Rodríguez performed for several hours at Luna Park in Argentina. Accompanied by his band, the guitarist strummed along to both his own classics and even unpublished anthems, all in honor of women’s rights.

Sergio Cabrera, the writer and director of ‘La estrategia del caracol’ spoke to the difficulties and frustrations in creating the film that is emblematic of Colombian cinema.

In a new book titled Corresponsales bajo dictadura (Chile 1973-1990), 17 journalists share their experiences working as correspondents for foreign newspapers under the dictatorship of Augusto Pinochet.

The Unión de Escritores y Artistas de Cuba (Uneac) urged its members to attend meetings in their workplaces and neighborhoods to discuss the reforms.

Since the early 2000s, a transnational movement has been on the rise, and it comes in the form of whispering poetry.

After a hiatus, Walter Sanseviero and David Ballardo are jumping back into the world of publishing through their Peruvian-based publishing company Revuelta Editores (RE), which was founded in 2007.

Uruguayan artist Sibu de Armas, who has resided in Telde, Spain for 17 years, will exhibit a painting on suffering at the renowned French museum.

The legacy of archbishop Óscar Arnulfo Romero is considered again after being canonized in mid-October, in regards to why he was not canonized earlier, as well as the cultural impact he has had in response to his assassination.

In July 2018, machinery used during the Formula E street race throughout Santiago, Chile, was responsible for damaging artist Rebeca Matte’s 1930 sculpture “Unidos en la gloria y en la muerte.”

Scholars and friends of Nobel laureate Octavio Paz have organized nearly 70 years’ worth of his letters, written between 1931 and his death in 1998, and will begin gradually publishing them online.