An exhibition in Bogotá showcases 90 works by Mexican and Colombian artists, telling a story from late colonial painting in the countries to further elaborating the artistic bond the two countries share, including similar relationships with Europe as well as the use of art to create a national identity.

Cuba’s creators and academics, Amnesty International, and the U.S. Department of State are on the same page about Decree 349, which requires artists to pre-authorize their performances (in private and in public) through Government departments.

António Lobo Antunes, a Portuguese writer, visited Guadalajara, Mexico, for the International Book Fair, and to promote his new book No es medianoche quien quiere.

Colombian artist Carlos Rojas was very much a man “ahead of his time,” an individual who, without actually living to see the 21st century, anticipated specific transformations of this millennium that have indeed come to fruition since his passing.

The women of Zuleta, a town in the province of Imbabura, Ecuador, are famous for their embroidered textiles.

A museum—130 kilometers from the capital of Jujeña, in the small town of Calilegua—was rescued, thanks to the efforts of a private business and an entire community.

A recently formed Brazilian women’s literature collective has committed itself to defending the rights of protected classes as well as public cultural institutions, which it published in an open letter.

When the Antel Arena opened in Montevideo in early November, it became the largest stadium in Latin America.

Peruvian painter Graciela Arias depicts regional mythology in her work, paying homage to her indigenous culture and her own past.

José de Jesús Francisco Zúñiga Chavarría is remembered as one of Latin America’s most influential sculptors, not only in his home country of Costa Rica, but in Mexico as well, his adopted country.