Issue Aug 01-11 2026: A symposium of art and sculpture carved from white marble presented in the Honduran city of Quimistán officially drew to a close this week. The event featured the art, together with the surrounding mountainous landscape and its many cardamom plants, as samples of the cultural and natural beauty of the area.
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Issue Aug 01-11 2026: Artist, composer, and writer Tamayero Enrique Féliz presented his two most recent books in the Dominican city of Tamayo during an event organized by the Youth Foundation of Tamayo (FUNJOTA).
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Issue Aug 01-11 2026: In Ciencia ficción capitalista (2024), Argentine writer Michel Nieva argues that Silicon Valley has appropriated ideas and narratives from science fiction to promote technology, particularly artificial intelligence (AI), as a solution to major social and environmental problems.
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Issue Aug 01-11 2026: In the group exhibition “Reimagining: Threads of a New Consciousness” at the Museo Amano, artists explore what happens when fabrics that are over five thousand years old become the starting point for contemporary works.
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Issue Jul 01-31 2026: Los Fronterizos bade him farewell with a heartfelt message highlighting his character, his voice, and the mark he left on the group’s history.
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Issue Jul 01-31 2026: The Chilean writer Diamela Eltit, “a pivotal voice in contemporary Latin American literature,” visited Argentina to participate in a series of events organized by the Universidad de Tres de Febrero where she reflected on the challenges that artificial intelligence poses to the literary field.
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Issue Jul 01-31 2026: One of Brazil’s most iconic entertainers has returned to the stage with a production that celebrates four decades of her career.
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Issue Jul 01-31 2026: Mexican filmmaker Fernando Eimbcke has built a career around portraying ordinary life with warmth and sensitivity.
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Issue Jun 17-30 2026: The Comisión Provincial por la Memoria presented a work about the bombing of Plaza de Mayo in 1955.
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Issue Jun 17-30 2026: Constelaciones y derivas: arte de América Latina desde la Colección FEMSA is presented at the Museo de Arte Contemporáneo de Monterrey (MARCO) to open a dialogue that questions its own nature. In Nexos Magazine of Mexico, María Olivera wrote that the exhibition starts from the premise: that it is possible to “reread.”
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