Issue Sep 23-29 2026: Alessandra Sanguinetti’s La ilusión de un verano sin fin (The Illusion of an Everlasting Summer) follows the lives of two cousins over 25 years.

Issue Sep 23-29 2026: With a tribute to Carlos Seoane and interactive content, the Cultural Foundation of Bolivia’s Central Bank (FC-BCB) renewed its promise to the diffusion of emerging artistic, identity, and cultural expression in Bolivia through the publication of Piedra de agua.

Issue Sep 16-22 2026: Chilean band El Algarrobín has released “El Temporal,” the first single off its new album Doce Vainas de una Rama.

Issue Sep 16-22 2026: The document, dating from the late 16th century, will remain on display at the National Museum of Anthropology until December 6, 2026.

Issue Sep 16-22 2026: The artist, born in Mendoza, was in Unquillo, Córdoba, where he had settled in the 1980s after returning from exile, when he passed away; “I continue to believe in art and, above all, in its incorruptible memory,” he had stated just weeks before he died.

Issue Sep 16-22 2026: The scholar was a leading authority on the work of Tarsila do Amaral. She sought to understand the role of criticism in a peripheral country.

With its latest release Nido de espinas (Nest of Thorns), the Uruguayan rock band Buitres is making a play to retain control over their own content, limiting the album to vinyl, CD, and cassette and preventing it from appearing on Spotify, Apple Music, or Youtube.

Issue Sep 09-15 2026: Notas para una autobiografía gathers interviews conducted between 1975 and 2003, tracing nearly three decades of the Chilean writer’s ideas, readings, and obsessions.

Issue Sep 09-15 2026: The exhibition Más Allá del Rostro (Beyond the Face) will be open to the public until October 31.

Issue Sep 09-15 2026: Salvadoran poet Grego Pineda has collected twenty-six years of his writing in a new collection entitled Ya es suficiente (Enough is Enough), a volume that includes meditations on memory, migration, war, eroticism, solitude, and death.