The works of Argentine photographer and director Alejandro C. Del Conte were discovered in a dump truck in Buenos Aires.
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Nicolás Ozuna, 53-year-old native of Horqueta, Concepción, who has been in Pedro Juan Caballero, Amambay, for the past 11 years, has become well-known for his masterful wood sculpting abilities.
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During the 1980s in Chile, teatro callejero, or “street theater,” was a form of artistic resistance against the dictatorship.
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On the Northside of Rio de Janeiro, Marquinho China began to frequent the block of Cacique de Ramos alongside other talented samba musicians.
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The fall of the Mexica empire in 1521 marked the beginning of the end for many Mesoamerican indigenous peoples and their traditions.
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On August 10, the Swiss Film Series continued at the French Alliance in Asunción.
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“El amor es una mierda,” a one-person play written and directed by Cecilia Meijide, will be shown on Friday evenings at El Extranjero Theater in the Abasto neighborhood of Buenos Aires.
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“The story of this novel is that I met a man who, by various coincidences in life, happened to have in his possession a vertebra from the skeleton of Jorge Eliécer Gaitán.
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Eduardo Zemborain, an architect and artist deceased in 1985, is remembered as a compulsive drawer.
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Gonzalo García Callegari’s newest exhibition features 35 art pieces and is the fourth volume in his series called Peruanismos.
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