The works of Argentine photographer and director Alejandro C. Del Conte were discovered in a dump truck in Buenos Aires.

Nicolás Ozuna, 53-year-old native of Horqueta, Concepción, who has been in Pedro Juan Caballero, Amambay, for the past 11 years, has become well-known for his masterful wood sculpting abilities.

During the 1980s in Chile, teatro callejero, or “street theater,” was a form of artistic resistance against the dictatorship.

On the Northside of Rio de Janeiro, Marquinho China began to frequent the block of Cacique de Ramos alongside other talented samba musicians.

The fall of the Mexica empire in 1521 marked the beginning of the end for many Mesoamerican indigenous peoples and their traditions.

On August 10, the Swiss Film Series continued at the French Alliance in Asunción.

“El amor es una mierda,” a one-person play written and directed by Cecilia Meijide, will be shown on Friday evenings at El Extranjero Theater in the Abasto neighborhood of Buenos Aires.

“The story of this novel is that I met a man who, by various coincidences in life, happened to have in his possession a vertebra from the skeleton of Jorge Eliécer Gaitán.

Eduardo Zemborain, an architect and artist deceased in 1985, is remembered as a compulsive drawer.

Gonzalo García Callegari’s newest exhibition features 35 art pieces and is the fourth volume in his series called Peruanismos.