Until April 9, visitors to the Nueveochenta gallery in Bogotá, Colombia will be able to see the works of José Olano, the “Colombian master of performance and sculpture,” and Julián Gil, “an international benchmark of the abstract art movement.”

Vale Night, a new comedy, has come to Brazilian cinemas, taking on the realities of favela life. The film is directed by Luis Pinheiro and stars newcomers to feature films Linn da Quebrada, Gabriela Dias, and Pedro Ottoni.

After nearly twenty-five years of private management, the Borges Cultural Center becomes the first cultural center to bring proposals from museums, and artistic/literary foundations together in a single building.

Despite the return of musical performance events in Cuba after the coronavirus lockdowns, the musical artists are returning to the stage without pay.

The Brazilian Ministry for Justice has ruled that the comedy film, Como se tornar o pior aluno da escola (“How to become the worst pupil in school”), is to be banned from being shown on any streaming platforms.

Paraguayan author Tania Almeida explained her experience writing “Clara Oscuridad,” a book that was declared of national interest by the Ministry of Education and Sciences.

With more than 130 works, Malba (the Museo de Arte Latinoamericano de Buenos Aires) presents “Vida venturasa,” the first joint exhibition of the precursors of abstract art in Argentina, Yente (Eugenia Crenovich) and Juan Del Prete, in which “the artistic confluences are traced throughout 50 years of work.”

Venezuelan society has seen the arrival of non-fungible token (NFT) art.

The musician, composer, arranger, and musical director passed away from COVID-19.

Many prominent Latin American women authors criticize the idea of a “boom of Latin American women writers.”