An interview with two feminists that participated in protests in Mexico on March 8, International Women’s Day, put on display the similarities and differences between two generations of feminists in Mexico.

Luis Szarán, director of the Symphonic Orchestra of the city of Asunción (OSCA), reflects on the role music has played throughout his life and discusses the best ways to better implement it into schools.

Roberto Cossa has just released his most recent play “Solo queda rezar,” (We Can Only Pray), a collaboration with his son.

Cecilia Vicuña’s work is on exhibit at the Museo Universitario de Arte Contemporáneo (MUAC). Her work primarily focuses on themes surrounding women and indigenous peoples.

The Galería Juan Martín in Mexico City has opened an exhibit to celebrate 20 years of displaying art by famed artist and activist Francisco Toledo.

A pair of documentary film makers and journalists released a short film featuring one survivor and the mother of a girl who died in the Hogar Seguro Virgen Asunción fire that killed 41 girls in Guatemala in 2017.

In its second edition, the Buenos Aires festival will bring together works by Lorena Vega, Santiago Gobernori, and Rodrigo Arena, among other creators. And while “they agree on the production conditions, they are driven by the most diverse aesthetics.”

–Written by Noelia Veras— Nicaraguan poet, Ernesto Cardenal, died on Sunday, March 1, 2020.

During the 41st International Book Fair at the Palacio de Minería, Anamari Gomís, Silvia Lemus, and Hernán Lara Zavala presented Carlos Fuentes’ book called A Viva Voz, which intertwines conference lectures by Fuentes from 1982 and 2011.

Colombian twin sister duo Laura and Lucía Villa have seen their career take off in the past year, with their mix of flamenco, classical music, and urban sounds landing them a deal with Warner Music Latin.