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The legacy of archbishop Óscar Arnulfo Romero is considered again after being canonized in mid-October, in regards to why he was not canonized earlier, as well as the cultural impact he has had in response to his assassination.

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In July 2018, machinery used during the Formula E street race throughout Santiago, Chile, was responsible for damaging artist Rebeca Matte’s 1930 sculpture “Unidos en la gloria y en la muerte.”

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Scholars and friends of Nobel laureate Octavio Paz have organized nearly 70 years’ worth of his letters, written between 1931 and his death in 1998, and will begin gradually publishing them online.

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The Biennial of Documentary Photography opens in Buenos Aires as a city-wide exhibition featuring art in a multitude of different spaces by artists from Argentina and elsewhere. 

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A new documentary called Mi norte es el sur was shown at the Festival Internacional de Cine de Derechos Humanos de Panamá in Panama City.

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The works of Chilean filmmaker Valeria Sarmiento were recently celebrated in France.

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La Silvestre Atelier is a rising collective exhibition that opened in August 2018, in the suburb of Roma in Mexico City.

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Two sculptures by Franco-Argentinian artist, Pablo Reinoso, are currently featured at the 45th annual International Contemporary Art Fair (FIAC) in Paris.

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Chinese dissident and artist Ai Weiwei opened his exhibition in São Paulo with the help of Brazilian craftsmen and domestic and international private sponsorship.

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The Brazilian presidential race has inspired a massive social media response in addition to activists taking to the streets as part of the #nothim movement opposing Jair Bolsonaro.

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