Along the banks of the Thames River, tourists and locals alike can find the immersive exhibition of the London Design Biennial.

Nicho 54, an institute that seeks to promote black professionals in the audiovisual sector, is promoting its online cinema exhibition América Negra: conversas entre as negritudes latino-americanas, which will be showing until the 13th of June.

A comprehensive project to restore the Mitre Museum in Buenos Aires that opened in 1907 is under way.

In 1972, the late Chilean filmmaker Raúl Ruiz began filming “El Realismo Socialista,” but the sudden military coup carried out by Augusto Pinochet halted production of the film before it was completed.

In Colombia, artist Doris Salcedo spoke about how her artwork commemorates the loss of life in the country and commented on art’s social importance.

The Museo Universitario del Chopo is ready to launch its new digital archive.

Graphic comedian Matías “Tute” Loiseau has just published a graphic humor book titled “Superyó,” a compilation of humorous comics about psychoanalysis published in recent years.

Since history is dominated by the narratives of white, upper class men, they shape the trajectory and viewing of contemporary Brazilian society.

Cuban singer Descemer Bueno collaborated with other Cuban artists on a new song called “Libertad y amén” that critiques Cuba’s government’s treatment of those who politically oppose it.

The Biblioteca Luis Ángel Arango (BLAA) organized a project, titled “Escarbajos: un país descubierto a pedalazos” and dedicated to cycling in Colombia.