Issue Mar 25-31 2026: In Brady Corbet’s 2024 film “The Brutalist,” Adrien Brody plays a Hungarian architect living in the United States after WWII who is hired to build a huge concrete cultural center by a tycoon played by Guy Pearce.

Issue Mar 25-31 2026: The death of Lucho González marks the passing of a seminal figure who bridged Peruvian music with the rest of Latin America.

Issue Mar 25-31 2026: A Netflix series places the journalistic commitment to truth front and center. Led by Damián Alcázar, the journalists at a Mexican weekly newspaper expose wrongdoing through investigative reporting—not through mere words or demagoguery.

Issue Mar 25-31 2026: The Pernambuco-based group, censored in 1974, received an apology from the government and financial reparation after decades of persecution under the military dictatorship.

Issue Mar 18-24 2026: Born in the Dominican Republic’s capital of Santo Domingo, Jaccy Pérez has achieved his dream of becoming an acclaimed performer of salsa music, with enthusiastic audiences at home, in South America, and in the United States.

Issue Mar 18-24 2026: A recent feature highlights the unexpected rise of a young Ecuadorian actor whose life took a sharp turn after starring in a nationally celebrated film.

Issue Mar 18-24 2026: The singer-songwriter from Corrientes revives the origins of her song “Pedro Canoero” in Paraguay, in a gathering that transcended music and has now become part of the cultural heritage.

Issue Mar 18-24 2026: The works of Marina De Caro, Nushi Muntaabski, Ariadna Pastorini, Cristina Schiavi, and Eugenia Streb raise questions regarding the naturalized meanings ascribed to bodies.

Issue Mar 11-17 2026: Panama City, Panama, has consolidated its position as a regional cultural hub as it launches the second edition of the Pinta Art Week, a platform created by Argentina’s Diego Costa Peuser to promote Latin American art globally.

Issue Mar 11-17 2026: A new exhibition by Peruvian artist Marco Herrera challenges the centralism of the country’s art scene by placing the Amazon at the center of cultural production. The project connects Iquitos and Lima while exploring the intersections of language, territory, and power.