Los Muertos y los Otros is a Portuguese-Brazilian film by Joao Salaviza and Renee Nader Messoza and captures the spirit of “el cinema Novo” of the 1960s.

The Chilean Minister of Culture Mauricio Rojas has resigned amid massive rejection by the cultural and artistic communities led by prized poet and author Raúl Zurita.

Chilean filmmaker José Luis Sepúlveda is premiering “Il Siciliano,” a documentary made with Adriazola and Claudio Pizarro about the unbelievable life of Juan Carlos Avatte, a wig expert who dressed important famous characters to hide them from the law or from fans.

Colombia’s Museo Nacional opened an exhibition that highlights the early work of highly acclaimed painter Fernando Botero.

Vergüenza, a new Movistar series, is perhaps “the most revolutionary series ever premiered.” 

At the end of the 18th century, the isolation of Santafé de Bogotá from the imperial commercial circuits made it a small, relatively poor city.

A manuscript by composer Heitor Villa-Lobos, previously considered lost, was found after decades in Brasilia.

The Colombian art institute, Fundación BAT, has debuted the first in a series of eleven exhibits showcasing various forms of pop art.

Big changes are coming to Buenos Aires’ modern dance scene.

Guatemalan writer Rodrigo Rey Rosa presents a series of chilling tales in his new book, Prisons of Invention (Cárceles de invención).  The eight narrations are built around the image of the prisoner and from that angle can be read as a composition of variations on the same subject.