Co-founder of the Di Tella Institute with his brother Guido and former Secretary of Culture during the presidency of Néstor Kirchner, Torcuato Di Tella passed away while hospitalized for a serious illness.

Jarocho musicians Los Cojolites from the south of Veracruz will celebrate two decades of music at the Esperanza Iris City Theater.

The upcoming Museo Nacional de la Historia de Arqueología (National Museum of Archaeological History) could result in the displacement of relics from the Museo de Arqueología, Antropología e Historia del Perú (National Museum of Peruvian Archeology, Anthropology, and History).

According to Spanish reporters Berna González and Juan Cruz, the profession of journalism will continue to thrive in the future despite game-changing developments in media technology.  “Journalism…knows no borders; its job is to tell a story,” claimed Cruz, “…it’s an invincible profession.”

A new movie directed by Chilean filmmaker Pablo Larraín reconstructs the life of Nobel Prize-winning poet Pablo Neruda, in particular his experiences during the late 1940s, a period when the author of such acclaimed collections as Residence on Earth and Canto General lived in hiding from Chilean authorities.

Years ago, Colombian artists Adrián Ibáñez and Gloria Herazo decided to open a space devoted to art and culture in the town of Tabio, 40 kilometers from the country’s capital of Bogotá.

A new exhibit at Mexico City’s Museo Nacional de Bellas Artes (MNBA) features little-known etchings, drawings, and easel paintings by legendary muralists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros, including preliminary sketches of some of their most iconic murals.

The earliest curated collections in the world, prototypes for what would in the 17th century become the modern museum, were widely referred to as “cabinets.”

Cuban literature’s newest voices were among the protagonists at this year’s Étonnants Voyageurs Literature Festival, held in the French city of Saint-Malo last week.

A new book of essays by Argentine philosopher Tomás Abraham revisits his intellectual “heroes,” those artists, musicians, thinkers, and novelists for whom he experiences a powerful and unapologetic “admiration.”