Humberto Mendoza Ruiz de Zuazu, author of the historical novel Más allá del Darién: En Busca del Estrecho, will present its second edition in Nicaragua and Spain.

After ten years of silence, Bruno Mendizábal published All these years, a book of poems that explores “loneliness, existence, and love from a personal microcosm.”

After a six-year hiatus in Belo Horizonte and Rio, Chico Buarque’s tour for the album “Caravanas” arrived as a surprise in São Paulo, on stage at Tom Brasil.

  The National Institute of Culture (El Instituto Nacional de Cultura, INAC), asks for more protection of the Cambutal Petroglyphs in the Los Santos province.

Twitter’s character limit has caused the social media platform’s users to describe literature in as few words as possible – often injecting comedic elements – in a fashion that could change the way people approach literature.

Photojournalist Juanjo Fernández has traveled to the area around Saramurillo, Peru on several occasions to cover conflicts over oil spills. Now, after finding a solution for children to start reading, he is in this small community to help them collect books for a new library.

“We are alive and just getting better,” declared Uruguayan cumbia pop band Mano Arriba, after reading in a national newspaper that their genre of music is dead.

“We propose independence,” declared film director and producer Osvaldo Ortíz, “for the very essence of the audiovisual industry. We need an institute formed by people who are inside the industry, and with a link to the State.”

Nobel Prize-winning author and giant in the world of arts and letters, Mario Vargas Llosa recently published La llamada de la tribu (The Call of the Tribe) a book-length argument in favor of Liberal political philosophy.

The legendary artist can claim 70 records, 27 ballets, 32 movies, 13 TV shows, 14 theater plays, and 6 exhibitions of artists such as Franz Krajkberg, Akiko Fujita, Antonio Peticov, and Marilda Pedroso.