“Radical Women: Latin American Art, 1960-1985” is shown at São Paulo’s Pinacoteca in an interesting political moment for women in the country with an upcoming presidential election, and also a shift in social engagement in the Brazilian art world.

In the shadow of the volcano el Misti, in Arequipa, Peru, a multi-day festival was held to honor the great nineteenth-century composer Pedro Ximénez Abril Tirado.

Fototeca is a photography institute that offers courses, lectures, and exhibitions from contemporary Guatemalan artists.

Carlos Reyes’ painting in the church of Tibirita reflects new inspiration in the municipality.

San Miguel de Allende in Guanajuato, Mexico, recently won the award for “American Capital of Culture 2019.”

In recent decades, Latin American filmmakers have returned again and again to stories about famous and infamous characters from the Dominican Republic’s tumultuous political past.

The Costa Rican Electronic Pinacoteca was released online in August 2018, through the site www.artecostarica.cr.

As the Recoleta Cultural Center in Buenos Aires undergoes renovation, the arts center opens three new exhibitions.

Los Muertos y los Otros is a Portuguese-Brazilian film by Joao Salaviza and Renee Nader Messoza and captures the spirit of “el cinema Novo” of the 1960s.

The Chilean Minister of Culture Mauricio Rojas has resigned amid massive rejection by the cultural and artistic communities led by prized poet and author Raúl Zurita.