With visible emotion, Uruguayan poet Ida Vitale proclaimed her devotion to the Quixote, a “venerable pillar of humanity’s legacy,” upon receiving the Cervantes Award, the most prestigious award for Hispanic literature.

Camila Moreno is pursuing new artistic avenues with her multi-disciplinary project Pangea.

It was with a potpourri of references that Charles Ludlam stitched together his comedy “The Mystery of Irma Vap,” one of his greatest hits.

The institution that sponsored the project says it was intended to be a tool for violence prevention; however, the police argue that the content was not appropriate.

The myth of Orpheus and Euridice returns to the musical theater in search of new meaning.

Set to premiere on May 16 in Lima, Retablo (Altarpiece) is a Peruvian film, which is framed around the main theme of paternal-filial love and what is envisioned as the most precious Ayacucho handicraft: the altarpiece.

The choreographed, musical piece El arrebato explores how the concepts of migration and uprooting manifest themselves in the body.

Theatrical groups are planning a meeting in Buenos Aires that will allow various artists throughout the region to come together to celebrate their individual and collective projects.

While the Zapatista movement no longer appears frequently in the media, its traditions remain throughout Mexico.

“I’m waiting for someone to apologize to Pablo and the others someday,” said Sergio Vitier in the documentary Pablo Milanés, which addresses, among other things, the time that the singer-songwriter spent during the 60s in forced labor camps known as Unidades Militares de Ayuda a la Producción (Military Units to Help Production).