Issue Feb 04-10 2026: Uruguayan sculptor Mauro Arbiza became an artist despite resistance from his father, who could never believe that anyone would actually pay for an artwork. Growing up while working beside him in the country, he recalled his pleasure at being outdoors but claimed he disliked working with animals.

Issue Feb 04-10 2026: Chile’s Teatro Mori has launched a special series that will include improvisation comedy, Chilean theater classics, international productions, stand-up, and established figures from the world of Chilean humor.

Issue Feb 04-10 2026: The dossier includes four iconic works and will be evaluated by technical bodies over the next two years.

Issue Jan 28-Feb 03 2026: While reading is usually a solitary act that takes place in silence behind closed doors, Buenos Aires’ Readers Collective has launched an initiative to change this, at least for a day, convening readers to gather on the terrace of the Recoleta Cultural Center and turn the act of reading into

Issue Jan 28-Feb 03 2026: Cuban cinema will have a central place in the programming of Mexico’s National Film Archive, starting January 30, 2026, with a series that revisits some of the most influential works in its history.

Issue Jan 28-Feb 03 2026: Public institutions and cultural spaces present a varied offering to encourage engagement with local productions during February and March of 2026.

Issue Jan 28-Feb 03 2026: The Festival de Artes Escénicas (FAE Lima) leans in with the best of Peruvian and international theater, a decade of work that this year opens with the return of “Hamlet,” one of many stage productions.

Issue Jan 21-27 2026: Netflix has announced a new Argentinian project starring Santiago Mitre, Verónica Llinás, and Peter Lanzani. The project, the title of which has not yet been announced, is a political thriller that seeks to depict real events that occurred during that country’s last dictatorship.

Issue Jan 21-27 2026: Beatriz González leaves behind her extensive body of work and her equally extensive archive, which is now preserved by the Banco de la República.

Issue Jan 21-27 2026: “If Brazilian films are so successful abroad, and there isn’t a taxi you can get into that doesn’t play Brazilian music, why does Brazil’s literature have such difficulty projecting itself?”