The Museo Universitario del Chopo is ready to launch its new digital archive.

Graphic comedian Matías “Tute” Loiseau has just published a graphic humor book titled “Superyó,” a compilation of humorous comics about psychoanalysis published in recent years.

Since history is dominated by the narratives of white, upper class men, they shape the trajectory and viewing of contemporary Brazilian society.

Cuban singer Descemer Bueno collaborated with other Cuban artists on a new song called “Libertad y amén” that critiques Cuba’s government’s treatment of those who politically oppose it.

The Biblioteca Luis Ángel Arango (BLAA) organized a project, titled “Escarbajos: un país descubierto a pedalazos” and dedicated to cycling in Colombia.

Artist Ana Patricia Palacios highlights the physical and emotional journeys of immigrants in her newest gallery exhibit through a combination of videos, paintings, drawings, portraits, and sculptures.

After spending several months observing footage from dozens of surveillance videos, Dirandro agents discovered and identified the members of an international criminal organization.

Nair de Teffé was Brazil’s First Lady during the country’s First Republic (1889-1913) and the world’s first woman caricaturist. She overcame prejudices within the Arts and her position in society.

The VSS Dance Company is presenting Nahual at the Ciudad Esperanza Iris Theater in Mexico City to “immerse spectators in self-discovery, empowerment, and the greatness of [the Mexican] people.”

April 30 marks a decade since the death of Ernest Sabato, and many Argentine and Spanish writers are going above and beyond to remember him and honor his work.