At this year’s International Film Festival in San Sebastián, Spain, up-and-coming as well as seasoned directors from across Latin America are showcasing their films.

El Inca, a film both made and censored in Venezuela, has been nominated for the Best Foreign Language Film category of the 2018 Oscars.

The documentary revealing the “prolific musical career” of Ecuadorian singer, Julio Jaramillo, “the Mockingbird of America,” was released on September 23.

Cartas de amor a Stalin, shown in Habana’s Argos Teatro, “reopens the debate about the consequences that decades of censorship have had on the Caribbean island.”

Argentine blogger, author, playwright, journalist, and editor Hernán Casciari is returning to his favorite side project this year by reviving the literary magazine Orsai after a four-year hiatus.

The opera, El Cónsul, directed by Sergio Luján promises something different than what has been presented at previous show runs at the Solís Theater.

There is no denying that Brazil still has a lot to answer for when it comes to racism and misogyny, and film director Day Rodrigues is one of the many black feminists speaking out about the challenges that black women face in Brazil today.

The Spanish word camaleón, better understood by English speakers by its cognate, could be used to describe someone who adapts like the animal – fading into the environment.

The Ícaro Panamá 2017 film festival continues to grow in popularity.

Alain Rouquié explores the consequences of Peronism in his newest book, The Century of Perón.