May 25, 1918, Opera star Esperanza Iris opened her theater – Gran Teatro Esperanza Iris – a cultural institution in the decades that followed.
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In an interview, the Brazilian film producer, Luiz Carlos Barreto refused to talk about his career accomplishments and 90th birthday to share his frustration with the ongoing socio-political and cultural problems in Brazil.
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On May 16, José Antonio Torres, the most important marimba interpreter of the Colombian Pacific, died at the age of 78.
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Performance art plays a central role this year at the 27th annual arteBA, a contemporary art festival in Buenos Aires.
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Modern-day composers may have difficulties making their name known, as the popularity of instrumental, contemporary music has dwindled.
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Five researchers discuss the legacy of José Carlos Mariátegui’s Seven Essays, ninety years after its publication.
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The Colombian film, Birds of Passage (Pájaros de verano), opened at the Directors’ Fortnight to widely positive reviews.
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The film Zama, by one of Latin Americas most important filmmakers today, Lucrecia Martel, will open in Chile’s theaters for the first time in May.
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Ancient bone remains of more than 140 children and some 200 young llamas were found in La Libertad, near the Chan Chan citadel.
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A new satirical religion called “emoteism” has made its way onto the streets of Bogotá, Colombia.
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