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Local television stations are in an intense and acrimonious war for viewers.

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Current works by architect and visual artist Silvio Fischbein constructed with old print media can be seen at the Centro Cultural Borges.

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“Never again do I want my novels to be made into movies…I will write the original script,” Gabriel García Márquez said to Colombian director Jorge Alí Triana after seeing the film adaptation of his book Crónica de una muerte anunciada (Chronicle of a Death Foretold).

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San Pedro de Coayllo, Peru, is believed to have been the starting point for Spanish missionaries travelling to evangelize citizens throughout the Cañete valley.

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Through new programming, the Buenos Aires Ministry of Culture hopes to draw a diverse audience into museums and increase access to culture in the city.

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Panama is preparing a cultural inventory for the upcoming UNESCO intangible cultural heritage selection process.

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–Researched and Written by Alex Ruth Ahrens— As news stories about Central American migrants making the perilous journey to and across the U.S. border repeatedly fill the news cycle, they are often colored by political rhetoric. Yet many of those affected, and others who feel strongly about their movement, are working to give the migration

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Cuba’s largest visual art event will bring international artists together to explore “the construction of the possible.”

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The last thing you may expect to find in the Casa de la Literatura, next to the Palacio de Gobierno in Lima, would be booming salsa music, yet people of all ages are flocking to the House of Literature to listen to the rhythms of the salsa group, “La Malanga.”

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 “The monologue is the purest form of theater,” said Natalia Casielles, one of the creators of Festival Monoblock, which offers a series of one-person performances that do not exceed twenty minutes.

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