Colombian filmmaker César Acevedo’s new film, La tierra y la sombra (Land and Shadow), depicts the tragic disappearance of rural traditions in his native country as it advances toward modernization.

A new exhibition at Venezuela’s Sala Trasnocho Arte Contacto (TAC) entitled Suite Iberia: Spanish Influence on Architecture in Caracas puts on display the gigantic impact of Spain’s architectural style on the construction of modern Caracas from 1900 to 1970.

The microtheater phenomenon has made its way to Central America and is revolutionizing the arts scene in Panama.

Brazilian filmgoers can expect a deluge of movie sequels to be flooding theaters in the near future.

How would the late Argentine writer Jorge Luis Borges have fared in the age of Twitter? Despite his distaste for modern technology, he would have found himself right at home.

In Argentina, music therapy is working wonders with children and adolescents suffering from neurological abnormalities.

“Any debate concerning the relation between intellectuals and power could be shut down in ten seconds by pointing out that Martin Heidegger, probably the most important philosopher of the twentieth century, joined the Nazi Party.”

Óscar Collazos, one of the last surviving members of the famed Colombian Boom generation of writers, died last May after being diagnosed nearly a year ago with ALS, also known as Lou Gehrig’s disease.

It has been over three months since opening at Colombia’s National Theater, but Labio de Liebre (Harelip), a tragicomic political drama written, directed, and starring Fabio Rubiano in association with the Teatro Petra, continues to play to packed houses with each performance.

Archaeologists on site in the Peruvian rainforest have unearthed two silver ceremonial cups most likely interred during the sixteenth century.